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Artisan Deluxe  # 093

"Valentine's Day Cherry Obsession"

Body: 1-pc. Blister Quilt Mahogany (no top, no back, no seams...just one hunk-o-wood)
Neck: Curly Honduran Mahogany
Fretboard: Brazilian Rosewood
Headcap: Blister Quilt Mahogany
Pickups: Wagner Fillmores with a little Peter Green thrown in for good measure :smokin
Pickup Rings: Recessed Painted Mahogany :hat
Bridge: TonePros Wraparound
Color: Vintage Faded Cherry

Initial Tone Report:

I was a little concerned that this particular guitar would end up sounding dark and muddy. The body and neck woods are very dense and heavier than I normally use. Barry and I decided to use Fillmores to retain, or regain, some of the clarity and articulation...it was a good plan that worker perfectly :D
My immediate observation was the sustain!!! Serious sustain...almost to the point that there is too much :b
I was playing a couple leads and where I expected a note to have decayed completely and dropped off was still there loud and clear.
I like the Fillmores' ability to sound "hot" yet still be clear and crisp.
I'll let Barry spill the beans from here, including the wiring scheme.

Thank you for hanging in there so long and not giving up Barry.

Enjoy it my friend,

Ron 8o

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This like chunk of South America is heading across the pond to another continent.
After hunting for 5 months to find the perfect body blank, my main wood supplier located this beauty and immediately sent it my way. Barry and I were about to give up, but all good things come to those that wait.
Ron 8o
 

I can hardly breathe. :) It's been a long time coming, first due to my daft wood choice and then due to a bad choice for pickups on my part. First up, a *huge* thank you to Ron for going the extra mile on this. After a few months, the best piece of figured mahogany was not big enough for a one piece body. I said "OK, let's use it", but Ron must've detected my disappointment, because he secretly kept looking and turned this up. :)

I wanted it in a true cherry - I've got some old cherry Gibsons, but they're all faded. And with a finish that would let the wood speak for itself. If the guitar is even half as good as it looks in these photos, I'm going to need an anti-drool device when it arrives.

Other than the wood figure, I wanted it to look unfussy. We toyed with the idea of a Peter Green inspired inlay(s), but what the hell does a Green Manalishi look like? :) So I stuck to the 'ordinary' inlays.

The recessed pickup rings (how Ron keeps cool when we come up with these ideas is beyond me) were my way of trying to get close to the way that P90s seem to nestle into their hole. Of course, with no pickup rings on the top, the bridge pickup would jut so far out of the body that the bottom of the pickup cover would be visible. So Ron tweaked the neck angle a little to fix it. You guys don't need me to tell you about Ron's attention to detail, but it's just another example of how he solves problems we didn't even know we were causing. I think he might've sworn a few times when he was painting and buffing those rings, though ;)

The Peter Green thing is my little tribute. There's a phase change on one push-push, and coil-tap on another. Two volume and one tone for simplicity.

I cannot wait for this guitar to arrive. Here's something interesting - I had serious guitar GAS up until I ordered #093. But once our favourite Yeti was on to it, I've not looked at another guitar.

Oh, and just to state 'the bleedin' obvious' - Cherry Obsession (as I call her - another nod to a long-time guitar hero) was finished on Valentine's Day. Must be fate :)

Barry